showing 55 results matching medium:"Pen and brown ink and wash"

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Looking for medina, metius, media, medic?

line drawing of twisting, slightly crouching nude man with a standing man behind him, cutting first man's PR shoulder

Apollo Flaying Marsyas, 16th century

Circle of Luca Cambiaso

Not on View
seated female figure holding feather-like object and book in PR hand; sword (?) in PL hand; two female figures standing on either side; architectural background; broken wheel, center front

Saint Catherine Enthroned with Saint Lucy and Saint Agatha, 16th-17th century

Lazzaro Tavarone

Not on View
doorway with two putti and coat-of-arms above; figural sculpture and pillar L of doorway

Design for a Wall Decoration, 1570s

Jacopo Zucchi and studio

Not on View
woman in 3/4 view with the front of her robe open and a dagger in her right hand pressed to her bare chest, looking away toward the right side of the picture plane

Lucretia, early 1640s

Guercino (Giovanni Francesco Barbieri)

Not on View
centaur with PR front leg raised; thick midsection at human waist; centaur looks backward toward PL; trees in background

Centaur, 17th century

Carlo Saraceni

Not on View
standing bearded man, head turned to PL, holding a thick staff; man appears to be stepping up

Standing Draped Man (Saint James Major or Saint Roch), 17th century

Jan de Bisschop

Not on View
sketch of figure straddling another figure lying down; top figure is stabbing reclined figure; brown ink

Study of Two Male Figures Fighting, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
2 striding figures, one looking up, the other looking down with fingers pressed to eyes; brown ink

Study of Two Kneeling Male Figures, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
abstract-appearing image which may be hunched-over figure with arms drawn in; brown ink

Study of a Woman Holding a Child, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
fallen horse at L and fallen soldier at R; brown ink

Study of Two Dead Figures and a Horse, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
Studies for an altarpiece of the Madonna and Child with Sts. Lawrence, Roch, and others (recto and verso)

Madonna and Child with Saints Laurence, Roch, Jerome, and others, c. 1630

Giovanni Baglione

Not on View
2 sketches: at L, two shadowy women walking up an incline carrying mortar on top of rectangular objects on their heads, in front of a sketchy building; another sketch of a woman in profile at R; brown ink

Women Carrying Mortar, 19th century

Henri Lehmann

Not on View
standing robed figure ringing a bell held in his PR hand, with PL hand outstretched; PL foot resting on rock; radiating lines extending from head; mounted on blue paper

Standing Male Saint Holding a Chalice, late 17th century

Unknown Italian (Neapolitan), 17th century

Not on View
standing woman wearing flowing garment and head scarf, with PL hand on chest, in controposto pose with head tilted slightly to PL; radiating lines extending from head; dog seated on PL side of woman, looking up at her; mounted on blue paper

Saint Margaret of Cortona, late 17th century

Unknown Italian (Neapolitan), 17th century

Not on View
four small sheets, each with one figure, mounted together on a larger sheet: each study numbered (left to right): 301 (?), 102, 100, 302 (?); #301 (ULC): male with heavy beard wearing a skirt, leaning on PL leg with bent knee, PL arm up with elbow bent; #102 (URC): nude male wearing a flowing cape, leaning PR knee on an invisible support; #100 (LLC): standing woman wearing a helmet and a log dress with a shield on her PL upper arm; #302 (LRC): striding man wearing loop of flowing fabric, body twisted to PL with PR arm extended downward

Four Figure Studies, 18th century

Unknown French, 18th century

Not on View
4 small sheets, each with one figure, mounted together on a larger sheet; each study numbered (L to R): 70, 50, 111, 56; #70 (ULC): nude male with PR arm upraised, PL hand holding shield, weight on PL leg, PR leg extended back off the ground; #50 (URC): nude male from back, striding, looking back, with PR arm over head; #111 (LLC): seated nude with both hands on head; #56 (LRC): standing nude with PL foot on block, PR arm raised, looking down, holding an object in each hand

Four Studies of Male Nudes, 18th-19th century

Unknown French, 18th century

Not on View
many boats in with many figures; Venice skyline in background; low horizon line; received in gilt frame

The Return of the Buncintoro from S. Nicolò di Lido, c. 1778

Francesco Guardi

Not on View
mounted to ivory paper; standing central figure with his PL hand on the forehead of a thin, seated old man, and his PR hand held in a blessing gesture; dog, LRC; many figures in background, including child at central man's PL elbow and woman with baby at right; column and base at top right of center; squared off with black chalk

Saint Lawrence Restoring the Sight of Lucillus, c. 1604-1606

Giovanni Baglione

Not on View
mounted to heavy paper with gold and brown borders; kneeling nun, hands in prayer, looking up, with a book in front of her knees on ground

Kneeling Carmelite Nun: Saint Teresa of Avila (?), 17th century

Attributed to Jean-Baptiste de Champaigne

Not on View
two standing figures at L flogging a crouching figure at center; two standing figures at R

Martyrdom of Saint John the Baptist, 17th century

Francesco Allegrini

Not on View
large open vaulted space with pointed arches; timber ceiling; altar at L; figures scattered through space

View of a Church Interior, early 19th century

Attributed to Baldassare Cavallotti

Not on View
large tree near center; figure standing on steps at R; 2 figures in LLQ next to a shrub; city in background, at L

Italian Landscape with Oak Tree, early 19th century

Unknown German, early 19th century

Not on View
fifteen small sketches on one sheet: arches, staircases, pillars and streets--most contain human figures; sketch in UR corner resembles landscape more than architecture

Fifteen Miniature Architectural and Italian Views, 18th century

Victor Jean Nicolle; Artist: Previously attr. to Unknown French, 18th century

Not on View
Moses on hill; figures raising pole with single branch on L side of pole; serpent curled around pole; figures sprawled around bottom of hill; tree at L edge, R edge and distance

Moses and the Brazen Serpent, c. 1743-1744

Corrado Giaquinto

Not on View
seated pope receiving gift from kneeling man; large family kneeling behind; family figures numbered with key at L; two figures standing to PL of pope and one to PR; two men conversing at R foreground

The Rospigliosi Family Paying Homage to Pope Clement IX, 1667-1669

Attributed to Carlo Maratti

Not on View
processing figures, moving toward right; figure third from left holds a shallow bowl in his PR hand; second figure from right in foreground has PR arm outstretched; man at right edge has long beard

Procession, 16th century

Attributed to Andrea Boscoli; Artist: after Polidoro da Caravaggio

Not on View
woman seated at right on rocks looking left; wears dress and elaborate headdress; gestures with right hand, landscape at left with low horizon line

Sibyl in a Landscape, 1640

Attributed to Leonardo Scaglia

Not on View
sheet of studies; man in hat, LL corner; figural shapes, top half of sheet; on verso, man semi-reclining

Study of an Old Testament Prophet and other Figure Studies (recto); Study of a Male Figure with a Rope (verso), 17th century

Unknown Dutch, 17th century

Not on View

Mounted Officer, 1610s-1630s

Unknown Flemish, 17th century

Not on View

Allegory of America, late 1690s

Giovanni Antonio Pellegrini

Not on View

Hercules with the Nemean Lion, c. 1555

Prospero Fontana

Not on View
sketch; three figures--foreground head and torso slumped, with head supported by figure at right; standing figure at left; large shadowy areas of ink wash

Death of Hyacinth, c. 1752-1753

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
mounted to ivory sheet with grey, green and pink borders; sketch; figure kneeling on one knee in LRC; standing figures at left; sketchy tall figures (sculpture?) in background

Michelangelo Presenting the Moses of the Tomb of Pope Julius II to Pope Paul III, 17th-18th century

Attributed to Pietro Antonio de' Pietri

Not on View
soldier at left wearing helmet handing a spherical object to a standing man at right wearing robes; four figures at center look toward right; two faces at left behind robed man looking left

The Adventus of Hadrian (Marcus Aurelius), 17th century

Attributed to Pietro da Cortona (Pietro Berrettini)

Not on View
mounted on ivory paper; male satyr at left, seen from PL side, pulling a baby satyr up against the back of his head to ride on his shoulders; female satyr at right, with her PL hand on male satyr's hip; sketchy tree at right

A Satyr Family, 1580s

Formerly attributed to Cavaliere d'Arpino

Not on View
sketchy, unfinished; two figures; left figure reclines on cloud; right figure with arms out, PR hand touching arm of left figure; legs of right figure redrawn several times--figure has four legs

Diana and Eolus, 18th century

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
woman wearing a sleeveless gown and a veil seated side-saddle on a horse with a thick mane; man with curly hair wearing a shirt with a ruffled collar stands behind horse; brown wash tones

Young Man Accompanying a Young Woman on Horseback, 19th century

Unknown German, early 19th century

Not on View
four putti at top--three holding a square banner, the fourth flying horizontally at top center; head and PR shoulder of a figure at bottom, LLQ; sketchy

Putti Floating a Banner, 18th century

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
smiling man with curly beard and long moustache, wearing foliate wreath

Head of Pan, 16th century

Attributed to Giulio Romano

Not on View
two seated nudes at center, in a landscape; putto at LRC; two dogs at LLC; drapery at right behind figures and drapery study at top

Venus and Adonis, c. 1620

Palma il Giovane

Not on View
recto: figures seated around a table at left; some standing figures at right; dog, LRC; Jesus seated, left of center, with a zigzag halo; verso: bottom half of sheet--Mary, Joseph and two other figures seated in a semicircle around baby Jesus; Mary and Joseph have zigzag halos; top half of sheet--light black chalk sketch of Madonna and Child

The Last Supper (recto); Adoration of the Shepherds (verso), c. 1621

Pietro D'Asaro (called il Monocolo di Racalmuto); Artist: Formerly attributed to Pietro Novelli (called il Monrealese)

Not on View
three figures on the ground--one on hands and knees; a sketched-in fourth figure in URQ

Three Male Figures Writhing on the Ground, Study for a Resurrection, Pentecost, or Conversion of St. Paul, 16th-17th century

Palma il Giovane

Not on View
standing man R of center holding a very tiny baby over a table; 3 bearded men seated at the table; 3 younger men stand behind seated figures; 2 men--one a soldier--at R; shields and swords on wall behind table; brown and black ink

Infant Pyrrhus before Glaucias [?], 18th-19th century

Circle of Luigi Sabatelli

Not on View
head and torso of man with long hair, leaning toward right; long, thin fingers; PR hand on chest, PL hand holds goblet; shades of brown and white

Saint John the Evangelist, 17th century

Giovanni Battista della Rovere

Not on View
Jesus at center, praying, leaning on a rock, with an angel in front of him carrying a cross and a goblet; three sleeping figures at left

Agony in the Garden, 17th century

Domenico Piola

Not on View

Illustration for 'Ingoldsby Legends', 19th century

John Leech

Not on View

Hagar and Ishmael in the Desert, 17th century

Domenico Piola

Not on View
mounted to ivory paper; off-white over mat with gold and brown borders; enclosed courtyard/city square with tall curved wall with arches in distance; buildings at right and left; man shoeing a horse in foreground, LRC; figure on bucking horse at center; other figures along edges of square; tiny, neat inscriptions scattered throughout

A City Square with Tradesmen, 17th century

Giovanni Maria Tamburini

Not on View

The Holy Ghost, 1680s (?)

Attributed to Giacinto Brandi

Not on View
mounted to ivory sheet; two oval drawings, on top of the other; top drawing of two tritons--one at right with curly hair and beard hold a club aloft in his PR hand; another figure rides on his back; triton at right with curly hair holds an animal skull in PL hand and a club in PR; bottom drawing of men riding bucking hippocampi; man at right hits man at left over the head with a club; man at left holds two fish in his PR hand

Battling Tritons and Men on Hippocampi, 16th century

Pellegrino Tibaldi

Not on View
three striding female figures at left, each carrying an attribute: pallet and brushes, building plan, small sculpture; sculpture at right of torch-bearing winged figure holding three foliate crowns; Apollo riding his chariot in the sky overhead preceded by a winged figure

The Coronation of the Allegories of Painting, Sculpture, and Architecture, 18th century

Louis Gauffier

Not on View
foreshortened figure lying down, with feet, legs, backside and PR arm visible

Sleeping Boy, 17th century

Salvator Rosa

Not on View
mounted on white paper with pink border; two group of figures confronting one another; group at left lead by a figure carrying a bundle of paintbrushes; figure at far left holds a painter's palette; monkey-like animal in front of figure with paintbrushes; group at right lead by a figure handing a cello; goose peering around drapery of same figure

The Imitative and Descriptive Arts, 17th century

Marco Boschini

Not on View
four figures working at an anvil; each figure wears loincloth; other figures in LRC; ovoid shaped image

Forge of Vulcan, 16th-17th century

Attributed to Palma il Giovane; Artist: Attributed to Marcantonio Bassetti

Not on View
seated figure wearing long drapery, including drapery in a hood over head; figure had PR knee raised and rests PL elbow on a rock, with head on PL hand, looking up; rocky ground

Drapery Study: Seated Figure, 17th century

Attributed to Ortensio Crespi

Not on View

showing 55 results matching medium:"Pen and brown ink and wash"

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